SEC Theatre will lead candidates to a set of skills that can be built on to engage in theatre at different levels in their life. Candidates will acquire a body of knowledge that helps them look at theatrical performance critically, as well as use critical thinking skills to engage with new experiences in life. Candidates will become more aware of their being, both physical and emotional, and develop added self-confidence and problem-solving skills
Individual attention
Holistic support
SEC O’Level
The study area SEC Theatre is informed by the National Curriculum Framework (NCF).
Studying Theatre at SEC level will involve learning to be in control of one’s body in order to communicate in everyday life and in performance. Besides learning skills related to expression, body movement and use of voice, students will also learn how to create performance material through work on texts and other sources as well as through improvisation. The candidate will acquire a basic knowledge of the major skills involved in theatre-making, such as designing and setting up lighting and sound, make up, costuming and scenery. As part of their studies, candidates will also learn to appreciate other people’s performances and discuss them in suitable language by making use of a variety of critical tools, including a knowledge of the history of theatre and stage technology.
This programme also embeds learning outcomes related to cross-curricular themes, namely digital literacy; diversity; entrepreneurship creativity and innovation; sustainable development; learning to learn and cooperative learning and literacy. In this way students will be fully equipped with the skills, knowledge, attitudes and values needed to further learning, work, life and citizenship.
At the end of the programme, the student will be able to:
SEC Theatre will cover all of the subject’s core syllabus including: Performance, Improvisation, Theatre Appreciation, and Stage Technology. For a detailed breakdown of what each syllabus entails, click the links below:
Developed by Stefan Azzopardi